All posts by Elena Linville

I am a Russian-Swiss-American citizen of the world. I have traveled all over the globe and ended up in Texas, USA, where I live with my husband and two cats who believe they are the rulers of this house and the humans that live in it. I have an 8 to 5 job as a training specialist for a financial firm and the rest of the time I write stories “for fun and pleasure,” though most of the time it feels like pulling teeth or bleeding on the page. I have two novels, Of Broken Things and The Choices We Make, which are both in the fully finished first draft stage. I’m currently editing Of Broken Things and letting Choices sit in a desk drawer for a few months. I’m also editing my novella Mists of the Crosswords which is almost ready for beta readers. Looking for a few betas btw who are not afraid to give honest feedback. I have an idea for a serial of short stories called the Eye of the Norns Cicle. The first short story had been published in an anthology, the second story is written down but needs editing, and I’m outlining the next three stories. I think I have enough ideas for 2 seasons of 6 stories each. I also love reading sci-fi, fantasy, dystopia, urban fantasy and post -apocalyptic books. I have been known to pick up a romance or two from time to time, but NEVER in the contemporary or historical genres. I don’t read YA, children books or nonfiction.

Open Minds by Susan Kaye Quinn.

Open Minds

Stars: 5 out of 5.

I don’t usually read YA. Well, scratch that. There are very few YA books that I actually like. Harry Potter, the Hunger Games, or the Abhorsen Trilogy by Garth Nix come to mind. So I should rephrase this to : I read YA, but the book needs to be exceptional for me to like it. Fortunately, Open Minds by Susan Kaye Quinn is one such book.

This is the first book in a trilogy and it’s perma-free on Amazon, so I admit that I was rather reticent about downloading and reading it. I’ve been less than impressed with the quality of some free books on amazon in the past.

But the moment I opened this book, I was hooked! I kept turning the pages and I couldn’t put it down. Susan Kaye Quinn created an interesting and compelling world where reading other people’s minds is considered the norm, and where people who can’t mind-read, or zeros, are outcasts, relegated to the most menial jobs. Because you wouldn’t trust someone whose mind you can’t read. And they wouldn’t be able to operate most of the machinery anyway, since everything, from phones to cars and kitchen appliances, runs on mindware. I must admit that the worldbuilding in this book is impressive, and the consequences of common mindreading are well-thought of.

Kira is not a typical teenage protagonist either. Sure, she dreams of fitting in and having friends again, and agonizes about the fact that the boy she likes will never go out with a zero. She has the normal hopes and dreams of a teenage girl. And when she discovers that she can not only read minds, but also control them, her first reaction is to pretend that it never happened, to try and hide it, to pass for a normal reader and just fit in. That’s what Kira wants most of all, to fit in. But that option proves impossible, and she discovers that there are a lot more jackers than she thought. She also discovers that the harsh reality for a jacker is either to live your life in hiding, work for the FBI, or be sent to a concentration camp.

I liked the fact that when the shit hits the fan, Kira doesn’t lose time mopping around and waiting for a knight in shining armor to rescue her. She takes the matters in her own hands instead. She does what she thinks is right, even if that means risking her life to free other jackers from a secure FBI facility, or exposing the existence of the jackers and the horrible way they are treated by the government to the media.

I am very interested to see how she deals with the fallout from that bombshell in the next book,  Closed Hearts, btw.

My only gripe with this book would be how quickly Kira changes from being scared of her powers and reticent to use them to using them left and right without remorse. But you can argue that she is placed in a situation where her survival depends on those powers.

I would also have liked to see a bit more of a learning curve, because it seems like Kira went from a zero to a super-jacker in the space of a couple months and without any particular efforts.

But all in all, Open Minds is a fast-paced and interesting book. It’s also very well written and formatted. I would never have guessed it was self-published. So if you want to pick up a though provoking and intelligent book for your teen (or for yourself) to read, head over to Amazon and download the free copy.

NaNoWriMo – things I’ve learned after week one.

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We have officially survived the first week of NaNoWrimo and (hopefully) even managed to put some words on paper! This is a big first step and if you are still hanging on (and still writing), a small celebration is definitely in order. This is the first important milestone in our NaNo journey.

For me, this NaNoWriMo is not really about discovering whether I can write 50k words in a month. I know I can, because I have already done that last year.

NaNo 2013 was all about  nervous excitement at the challenge laced with a lot of doubts and “oh my god, what was I thinking when I decided to do that, and 1667 words per day is impossible!” moments. NaNo 2014 is more about refining my writing process and discovering what methods allow me to be more efficient when writing my first draft. So, this year I try to pay attention not only to what I write, but also how I write it, and note things that help me write faster and those that hinder me.

So here are a few conclusions I came up with after week one.

  1. Detailed outlines are a lifesaver.

During NaNo 2013, I had a general outline of my novel, arbitrarily separated into 3 parts. I had only put down some major points and decided to fill out the blanks as I went. As a result, my first draft contained a lot of backstory, side stories, and meaningless wanderings. I never got stuck per se, but there were days when I meandered through the story with no clear idea how to get to the next big plot point on my list.

Original by nord_modular on Flickr
Original by nord_modular on Flickr

I can tell you that editing that first draft is an absolute nightmare. I have only managed to wade through Part 1 and started on Part 2, and I have rewritten 90% of the draft.

This year, I spent the whole month of October writing several outlines for my NaNo 2014 project. I had a general plot outline, I had my characters bios and backstories and I had a chapter by chapter outline. Yup, I have written a 15k words, very detailed outline of my whole book.

The result is rather impressive – my WIP is has broken the 20k milestone today, and I haven’t been stuck even once so far. I also find it easier to get into the writing mood each day when I know exactly what scenes I will have to write.

2. Practice might not make everything perfect, but it certainly makes things better.

When I foolishly decided to participate in NaNo 2013, I had no clue what I was getting myself into. I had never tried to write consistently for any prolonged period of time. So of course I struggled! Some days coming up with that daily 1667 word goal seemed almost impossible. The most I could manage in one sitting was between 500-600 words, after which my brain would go into meltdown and need a few hours to recuperate.

WordCount

I have been writing every day for the past year and building up my “literary” muscles, so to speak. So now my brain can produce 1000-1400 words in one session before the critical meltdown, which makes meeting the daily goal suddenly so much easier.

Plus whenever I feel like slaking off, this annoying little voice in my head starts nagging at me, “You managed to meet your word count last year, even if you had to struggle for it. You can do better than that this year!” Maybe I should try to lock her in the basement along with my inner editor next time?

And I saw another aspect of my writing in which practice really makes a difference. Not only do I write faster now, but I also write cleaner. I have a clearer idea of what I want to put on the page, and I manage to come up with the words I need much quicker than a year ago. So hopefully, this will make the editing process much less painful later on.

  1. Planning ahead is essential.

NaNo 2013 was a success for my writing life, but a bit of a disaster in my everyday life. I was so absorbed in the writing process, that I didn’t have time for anything else. Between my day job and NaNo, the month of November 2013 went by in a blur. I think my family had started to forget how I looked like by the end of it, because I would come home from work, grunt an unintelligible greeting, and disappear behind my monitor, dead to the world.

This year, not only do I have a lot more responsibilities at work, which require more of my time and attention, but I also have to update this blog, providing new interesting content every week, and I have a novel to write.

So I have to plan ahead, use every free minute of my time to keep up with everything. I have succeeded so far, and I’m not even too frazzled yet. But it’s only been a week, so we will see if I’m still as organized and optimistic by the time Thanksgiving comes knocking at my door.

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Conclusion:

One week down, three more to go. Keep on writing, wrimos and remember that it doesn’t matter if you are ahead on our word count, just on the money, or desperately behind. You are here, you are making an effort to put words on the page and to create something beautiful out of nothing. That in itself is already an accomplishment!

Pines by Blake Crouch

PInes

Stars: 5 out of 5

Blake Crouch says that Pines was inspired iconic TV series Twin Peaks. He wanted to capture the same eerie atmosphere of a  small town that seems perfectly ordinary on the surface, but where something isn’t quite right. I must say that he succeeded.

Ethan Burke is a federal agent who arrives to the small town of Wayward Pines looking for two fellow agents who have gone missing. Within minutes of his arrival, his car is t-boned by a truck. When he comes to, he is in a meadow in the outskirts of Wayward Pines, with no cell, no ID, no wallet and no firearm. He is badly bruised and has a horrible headache. He remembers the accident, but has no idea how he ended up in that meadow instead of a hospital. He is hurt and confused, and the inhabitants of Wayward Pines, who seem friendly enough, aren’t all that eager to help. And why do all the roads out of town just loop on themselves? And why is there a tall electric fence barring the only exit out of the valley?

I loved how the author managed to make the reader feel Ethan’s confusion. He is hurt, he has blackouts, he can’t remember his home number or even his wife’s cell. At several points in the book, he starts doubting his sanity, and so does the reader. I caught myself wondering if this was just a dream, or a hallucination brought by the accident and post-traumatic stress disorder.

Ethan feels that something isn’t quite right, but he can’t put his finger on it. So he tries to contact his superiors back in Seattle, but is given the run around. He tries to get his possessions back, but the hospital staff says the sheriff has them, while the sheriff is sure the EMTs have them, and the EMTs are nowhere to be found…

So the reader struggles with Ethan to understand what is going on and what kind of dark secret hides behind the sunny facades of Wayward Pines. Or maybe there is no secret at all and the local psychologist is right – Ethan is suffering from a mental breakdown.

But then the town itself is positively creepy as well, and Ethan Burke showed this creepiness masterfully. It’s such an idyllic little town with brightly painted Victorian houses and well-manicured lawns, where all the neighbors know each other and everyone is friendly. Like an orchestra playing a perfect melody. Only one of the instruments is slightly off-key. And this discordance keeps reverberating, until the whole melody is ruined.

I loved Ethan as the main protagonist. I loved the fact that he never gave up. That no matter what he was told, he always followed his gut and kept digging until he found out the truth. He was interesting to follow and root for.

I also liked the mystery surrounding the town itself and how the author would slowly uncover more and more details about it. And the more he showed, the creepier it got.

And I also absolutely loved the fact that the ending was NOT what I had expected. The book kept me guessing and turning the pages, and the ending was an absolute shocker.

So the final verdict is – very good book indeed. A must read for fans of Twin Peaks and other creepy mysteries alike.

NaNoWriMo – lock your inner editor in the basement.

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Well, NaNoWriMo 2014 has now officially started. How did everyone do during their first full weekend of furious writing? Did the words flow out of your head and into the blank page or computer screen? Did you write until you felt like your head was on fire, your brain had turned to mush, and your fingers were bleeding? Or perhaps you stared at that blank page and felt overwhelmed by all the whiteness?

No matter what you have achieved this weekend, I’m sure you have realized something very important. Something that all the seasoned writers know, but that comes as an unpleasant surprise for all of us who decide to put our stories on paper for the first time.  I am speaking about the huge difference between the story that exists in our head and the result that gets put on paper.

I remember the first time I came face to face with this dichotomy. I had this important scene to write, and in my mind it was witty, well-written, full of good dialogue and tension – in other words, absolutely perfect. What I vomited on the page was absolute and utter crap… I was heartbroken. I was horrified. I was ready to press the delete button on the whole sorry excuse for a novel and go back to my day job.

But I did no such thing, and do you know why? Because first drafts are supposed to be bad. They are supposed to be full of typos, and ramblings, purple prose, and bad dialogue. In other words, like Ernest Hemingway said:

Hemingway

Yes, you heard it. Even the great masters of the written word have to struggle through a horrible first draft before they create a masterpiece. The trick to accomplishing that is to accept that your first draft will suck. In other words, you need to bind, gag, and lock your inner editor in the basement for the whole month of November (and maybe December and January as well) until your first draft is done.

That means every time you hear that little voice in the back of your mind telling you that your description sucks, that your dialogue is weak, that your plot is boring… tune it out, crank the music up, put earplugs in your ears, or shout, “La-la-la, can’t hear you!!!!” And keep writing.

Powering through your doubts and writer’s block is the only way you will get a finished draft to show for your efforts. It doesn’t matter if your first 3-4 chapters are a polished work of art if your story isn’t finished. As Kristen Lamb says, the world rewards finishers, not perfectionists.

Inner Editor

And if your inner editor is having a mental breakdown and sobbing uncontrollably in a dark corner of that basement, you can always tell her that she will have free reign over your work once the editing process starts. She will be free to take a chainsaw to your first draft and dismantle it at her heart’s desire. If you hate the scene you just wrote, keep a notebook handy and jot down the chapter and page number and a few words about what doesn’t work for you. Once you are done with your draft, you can use those notes during the editing process.

But for now, shhh, don’t listen to her, just write. Put one word on the page after another, no matter how bad does words seem. You can always edit a bad page, but you can’t edit a blank page.

So go on, wrimos, write your novels!

The Younger Gods by Michael R Underwood.

The Younger Gods

Stars: 4 out of 5

It’s been a while since I read a good urban fantasy book that didn’t center around fae or werewolves / vampires and didn’t include a romance. In fact, I had come to the sad belief that these were the only books the genre had to offer. So The Younger Gods by Michael R Underwood was like a breath of fresh air.

Jacob Greene came to New York to escape the clutches of his very overbearing and secretive family and start a new life away from the cult. Jacob’s only worries now are to try and fit into this strange new world that is life at St. Mark’s University, keep his grades up to keep his scholarship, and stretch his meager allowance in order not to die of hunger before the end of each month. Then a crucified body is found in one of the New York parks, and Jacob realizes that his family has caught up with him…

I absolutely loved the main protagonist. Jacob is a smart and well educated boy, even though his knowledge mostly lies in the field of summoning monsters and performing human sacrifices.  He is completely lost in the intricacies of the normal college life, and his social skills are so bad that he can’t seem to make friends. The author did an excellent job showing the complete lack of common ground between Jacob and his classmates. They didn’t read the same books, didn’t hear the same stories, and Jacob just doesn’t understand any of the mass culture references we all take for granted. And his over-flowery and slightly archaic speech makes him seem even more alien. Jacob tries so hard to fit in, to put his less than normal childhood behind him, but when he hears about the murder on the news, he immediately recognizes his sister’s signature.

I like the fact that the idea to simply walk away and think “it’s not my problem” doesn’t even cross Jacob’s mind. It’s his family, so it’s his problem. If he has to stop the apocalypse all by himself, he will do it, or die trying. That shows a tremendous strength of character.

And the author also did a very good job showing the diversity of races and cultures in New York city. All of the secondary characters come from different ethnicities and cultural (and magical) backgrounds. Carter is an Indian (dot, not feather) Nephilim, Antoinette is a voodoo practitioner from Haitian descent, and Dorothea is a black ex-NYPD cop who became a Brooklyn Knight. And they are not just clichés put in the book just to act as a background to Jacob’s adventures. They are well fleshed out characters. Oh, and there are also Staten Island werewolves, Rakshasa from Queens and a multitude of other magical beings that call New York home.

The pacing of the book is fast and gripping. There isn’t a single dull moment. It’s even a bit too fast in places, and I caught myself wishing for the action to slow down and give myself and the characters a breather. But at least it’s never boring!

My only complaint is that there are still some errors in the copy I read. For example, Nate is described as a man when we first meet him, but halfway through the chapter, he is suddenly referred to as “she”, then he becomes a “he” again when we next meet him. But I think all those problems are due to the fact that I read the ARC of the book I got from NetGalley, and hopefully didn’t make it into the published version of the book.

So if you like strong characters and an interesting story, you should definitely pick up The Younger Gods. I will be looking forward to the next book in the series.

NaNoWriMo Prep – 10 useful links to stay motivated during the month of November.

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NaNoWriMo is just around the corner, and I’m sure that most of you are excited about diving right in and getting a start on your novel. So I’m not going to bore you with another long post about how to prepare for NaNo, or what I learned from my past NaNo experience, blah, blah, blah.

The next month will be a wonderful, but also tiring experience for everyone trying to put 50k words on page in 30 days. There will be days when words fly faster than you can write them and you get 2k down in an hour with no visible effort. Then there would be days when writing even 100 words feels like a gargantuan effort, and every one of them feels like it was written with your own blood. There will be days when you will be motivated and days when you will feel like giving up.

So I thought about what had helped me stick through the worst moments of self-doubt and discouragement and motivated me to keep going last year. The answer was simple: encouragement from fellow writers.

That’s why I created a list of blog posts about NaNoWriMo that I found useful, funny and motivating. I would encourage you to bookmark them and reread them any time you feel like you need a pep talk during the cold month of November. I know I will be revisiting them frequently.

  1. First, a little bit of shameless self-promotion. Last year I had written a post about what helped me stick to my goals during NaNo. I would recommend reading it around week two, when the dreaded burnout starts – NaNoWriMo – 15 days to go.
  1. If you need a good laugh and also a boot in the butt advice to keep going, check out this older post by Chuck Wendig – 25 Things you should know about NaNoWriMo. I love Chuck for his humor, but be advised that the language he uses is definitely not PG-13.
  1. Now, if you need to go deeper into the nuts and bolts of writing your novel, here is a very good guest post by Piper Bayard on Kristen Lamb’s blog about backstory and how much the writer has to disclose and what to keep away from the reader – Backstory: The More You Know, The Less I have to.
  1. And speaking of writing that first draft, here is an excellent post by Kristen Lamb herself about turning off your inner editor during NaNo – Write Fast and Furious! Learning to Outrun “The ?Spock Brain.
  1. If you write your story from the point of view (POV) of several characters, here is a wonderful post by Jami Gold about which POVs we should use when and how to switch between them without confusing your reader – Ask Jami: Whose Point of View Should We Use?
  1. I try to stick to the advice of “show, not tell,” when I write. So this post by Amy McElroy about integrating all the five senses in our writing was very useful – Sensory Description: Deep Beyond the Five Senses We Learned in Preschool.
  1. We all love our protagonists (otherwise why would we want to write about them in the first place?), but we need to be careful not to make them too much like ourselves. So here is a good post by Anne R Allen about that – 5 Protagonists Riders Hate: Why Writers Shouldn’t Identify too Closely with a Main Character.
  1. And let’s not forget to stay healthy during November madness. So here is a nice infographic article by YogaDork – “Pose before Prose” Yoga for Writers.
  1. Since writing 50k words takes a lot of your free time, cleaning, cooking and having a social life will be next to impossible. So here is a nice link for Easy Recipes for NaNoWriMo on Pinterest.
  1. Last but not least, is the NaNoWriMo site. It’s full of useful resources, how-to guides, pep talks and most of all, all the other wonderful wrimos attempting this challenge with you. Browse, read, visit the forums, find writing buddies, but most importantly, communicate with others. They will be your best cheerleaders, your most devoted fans and a shoulder to cry on when you feel discouraged.

Here you go, I hope this list will be useful to you guys! Feel free to share more useful links in the comments. I’m always looking for good posts to motivate me and help me improve my craft.

The London Project by Mark J Maxwell

The London Project

Stars: 3 out of 5

I liked the story in The London Project. The world is a quite interesting (albeit chilling) vision of a possible future. The total monopoly of Portal over the lives of Londoners reminded me a lot of George Orwell’s 1984. “Big Brother watches you,” indeed…

This story also had all the things I usually like: a futuristic setting, a murder mystery that the protagonist has to solve, influential people determined to thwart her at every turn, and a bigger conspiracy emerging during the investigation. The story had the potential to keep me interested and turning the pages into the late hours of the night, but… it didn’t.

The biggest problem with this book, at least for me, is the pacing. For a thriller to work, the author needs build the tension progressively throughout the book, and never ever let it falter. The story has to grip me from the get go and drag me along, making me want to turn the next page to discover what happens.

Unfortunately, the abundance of technical and world-building explanations break the tension and slow down the pacing, sometimes bringing it to a screeching halt. I found myself frustrated when I wanted to know more about the investigation into the dead girl, but had to read through info dump after info dump about Portal and their little monopoly over London and how the technology worked. I know it’s probably relevant to the story and serves to introduce the reader into this world, but for me, it killed the suspense and the drive to continue reading. When I find myself skipping the explanations to get to the plot, I know I won’t stick with the book. And I probably wouldn’t have if it wasn’t an ARC I had agreed to review.

I didn’t need all those detailed explanations into the workings of Portal in the first 10 chapters. I would have been perfectly happy with a few brief mentions of it and a lot more focus on the case itself. But then again, I am the kind of reader who likes being lost in a world, to discover it progressively throughout the book, looking for breadcrumbs of information the author left on the pages and drawing my own conclusions. Info-dumps give me mental indigestions, because by the time I read through the explanation and assimilate it, the suspense is gone. I have to try and immerse myself in the story again… until the next info-dump.

This is sad, I think, because the book would have been a lot more interesting (and faster paced) if the author trusted the reader to understand his world without having everything spelled out. This is the case of when too much backstory does more harm than good.

I know that this is strictly a personal preference, so take my review with a grain of salt. What I find off-putting might not be so for another reader. So my advice is, if you like a well thought-out world and are not afraid of the slow pacing, give The London Project a try.

P.S. This review is for the ARC of the book I got from LibraryThing.

NaNoWriMo Prep – Know your Story or the Importance of Outlines.

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With NaNoWriMo fast approaching, I wanted to share some of the advice I took out of my own experience with NaNoWriMo 2013. I learned a lot about writing in general and my own writing process last year, so hopefully this will also be useful to somebody else.

Last week I had talked about why I think everyone should do NaNo at least once. This week, I want to talk about outlines.

I know  people who approach who don’t plan or outline their stories; they just start writing on November 1st and see where the story will take them. They enjoy the process of discovering the story, of being surprised by the unexpected plot twists. In writer-speak, they are called pantsers, because they write “from the seat of their pants”. I know a lot of wrimos for whom this approach works wonders, and who can’t imaging writing their first draft any other way. I learned the hard way that I’m not part of that club.

Lost

I am a plotter. I need to be familiar with my story and my characters before I start writing my first draft or I will crash and burn somewhere around the 1/3 mark. So for all of the first time wrimos who had tried to pants it before and didn’t quite succeed, my answer would be – start outlining.

It doesn’t have to be an extensive outline. I know some writers who are happy with just knowing the ending and the general direction in which their story is going before starting to write the first draft.  Others don’t outline the plot, but do extensive profiles on all their characters, then let those character’s reactions decide which way the story is going.

My experience with outlining:

I have learned that if I want to win NaNo (and finish my first draft), I absolutely need to spend some time exploring my story beforehand.

I need detailed background stories and profiles on my main characters, including the so important antagonist. I tell you, in order to get this sucker right, you have to know his / her life story better than your own.

I also need to know the ending. I might only have a vague idea of how my story will progress and which road it will take to reach that ending, but if I don’t know how my story ends, I cannot write. Tried, failed, learned from the experience.

Wriring Of Broken Things for NaNo 2013 had been my first try at outlining beforehand. I had character bios and a brief outline of what I wanted to happen each of the three parts of the book. Oh, and the last scene of course. It worked like a charm – I wrote like my fingers were on fire, and there hadn’t been a single day where I felt stuck. Of course, a lot of the scenes changed and the story evolved in the process, and I took a few detours and alternative routes, but I never felt utterly lost, because I knew my final destination.

This year, I am picking it up a notch. I am applying the process I developed for writing my short stories to my NaNo preparation. When I brainstorm a short story, I write a detailed scene by scene outline. They I start writing the story, trying to follow that outline. Most of the time, it changes drastically during the first draft, but that process allows me to immerse myself in the story and explore several possible courses of action.

I took this process and adapted it to this year’s NaNo novel, but instead of doing a scene by scene outline, I did a chapter by chapter one. So now I have detailed character bios, a general outline of the entire plot, and a detailed outline of what will happen in each chapter. Now I am ready to finally start writing! Is it November 1st yet?

good-luck-road-sign

I want to finish this post with a word of caution though. Don’t consider your outline as something set in stone. It’s more of a roadmap with one route that would take you from point A (the beginning) to point B (the end), but there are a lot of roads and alternative routes. Feel free to take a different turn, stop in a small town, or to take the scenic route instead of the highway. Just keep your destination in mind and make sure you are progressing towards it no matter what road you take.

So how are you guys preparing for NaNo? Plotters or pantsers? How detailed are your outlines? I want to hear from you!

Of Bone and Thunder by Chris Evans

Of Bone and Thunder

Stars: 5 out of 5

This review is for the ARC of the book I have received courtesy of NetGalley.

I am in love with this book and I’m not afraid to admit it. Vietnam War meets a fantasy world? It could have crashed and burned if it had been poorly executed. Fortunately for me, Chris Evans pulled this off masterfully, and the end result is a book that I found very hard to put down.

The premise Of Bone and Thunder is quite simple: the Kingdom is waging war in Luitox, a strange tropical land full of “savages” that the brave army of the Kingdom came to liberate from the Forrest Collective. That’s the official story anyway, but to most of the characters in this book, that propaganda is irrelevant. What matters to them is whether they will live to see another day and whether their squad will make it out alive as well.

I loved the fact that the author didn’t go into rhetorics or political explanations of this war in the Lux. Instead, he chose to tell this story through the eyes of regular soldiers, those forced to fight and die for ideals they don’t understand in a land that is absolutely foreign to them, against an enemy that knows the terrain and can literally disappear at will.

There isn’t one single protagonist in this book. We follow several characters instead. There is  Carny, a young crossbowman and his fellow soldiers from the Red Shield. The young thaum Jawn, who arrives to the Lux full of ideals and dreams of glory which are soon shattered against the gory reality of war. Obsidian flock leader Vorly and his thaum Breeze who fly real fire-breathing dragons called rags. And several other unique characters.

We see the war through their eyes; we follow them from simple skirmish to battle to desperate fight for survival, and we see them change. And that’s the biggest strength of this book. All the characters we follow are flawed in their own way. Jawn is naïve but also arrogant; Carny is an addict who doesn’t care about anything and anyone but himself; and the only thing Vorly cares about is his rags. And the other members of the Red Shield squad were just as bad. I hated some of them at the beginning of the book…

Yet they change, they evolve, they grow on you, so much so that you start cheering for them, hoping that they will make it out of one desperate situation after another in one piece. And when some of them die, it really hurts, like you have just lost a good friend.

With subtle strokes of the brush, the author also showed us how a ragtag group of men transforms into brothers in arms. You can see the moment when concern or individual safety is overruled  by concern for the safety of fellow squad members. When the words “leave no man behind” suddenly become a moto to live by. And Carny gives up the drugs and assumes the mantle of Squad Leader because there is nobody else left to do it. Vorly risks his life and the life of his precious rag to help the troops on the ground he had transported so many times that he grew to consider his own. And Jawn risks both his life and his sanity to defeat enemy thaums  before they annihilate the small army surrounded by an enemy force twice its size in the valley of Bone and Thunder. And the words “Anything for the greater good” gain a truly sinister meaning.

 Of Bone and Thunder is the story of a big war described through a multitude of small, almost personal wars, and that’s what makes it so powerful. This book leaves a lasting impression long after you finished reading.

So my advice is read this book. Definitely and without reservation.

5 reasons everyone should do NaNoWriMo at least once.

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We are now midway through October and thousands of writers across the world are frantically preparing for the biggest writing challenge of the year – the National Novel Writing Month or NaNoWriMo. Since I had jumped into it head first last November, I read a lot of blog post and articles about NaNo on the web, and I realized that there are often opposite reactions to the event. Some like it, some don’t; some swear it’s the best thing that ever happened to them, while others think it’s worthless.

Personally, I think that if you think of yourself as a writer, even an aspiring or pre-published one, you should do NaNo at least once in your life. And below are the 5 most important reasons why you should do it.

  1. 50k words is an average a professional writer produces every month, not just in November.

Before I did my first NaNo, the idea of writing 50k words in 30 days seemed almost impossible to me. I could barely manage to write 300 to 400 words a day, and it was a good day when that happened.

But consider that an novel is anywhere between 80k to 120k words. If a professional writer releases one of those a year, he has to go through all the steps (outlining, research, first draft, editing, beta readers, etc) in just 12 little months. That means  the first draft has to be put on paper pretty fast. So 50k words per month is actually not that farfetched.

So if you have a dream to one day become a professional writer, I think NaNo is a good training ground to see what it takes to do this for a living. Plus it’s always interesting (at least for me) to challenge myself and see if I can do this.

  1. NaNo helps you build a habit of writing consistently.

As I had mentioned in point 1, before NaNo, I was lucky to put 400 words on the page in a day, then spend a week or more without writing anything. After NaNo?  My average is about 1000 and I write every day. Or if I’m not working on my first draft, I edit, rewrite or outline something.

NaNoWriMo showed me that waiting for a muse to strike to sit down and write is just an excuse NOT to write. Inspiration can come to you, but it has to find you ready and already at work. I have a day job, I have a family and a social life, but NaNo showed me that I could find a way to balance all that and find time to put words on paper everyday if I wanted it badly enough. And if I managed to balance all that during the month of November and nobody died (and I still have my job), why not try to make a habit of it?

The results are staggering. Before NaNo, I had 3 attempted and abandoned novels. After NaNo, I have a published short story, a finished novel (still editing that one though), a novella, and 2 more short stories. I went from never finishing anything to consistently finishing all my projects.

  1. Lock your inner editor in the basement.

When you have to reach a daily goal of 1667 words, you don’t have time to stop and edit every sentence. Heck, sometimes you don’t even have time to go back and correct a typo. NaNo is about putting that first draft on paper, and even Ernest Hemingway said, “The first draft of anything is shit.”

Hemingway

NaNoWriMo teaches you how to tie you pesky inner editor up, gag her, and throw her in the basement. It allows you to write prose that looks like crap. A scene isn’t turning out quite to your liking? Don’t stop, write it down and move on. You are not quite sure where your character or story is going? Write on, your story might take you to a surprising and interesting turn.

Remember, that you can always go back and edit everything later, once you are done with your first draft, that’s what revisions are for.

  1. Discover which writing methods work for you.

Writing a novel is hard work. Writing one in 30 days is a feat. You need to be aware of all the tools in your writer’s toolbox and put them to good use if you want to achieve your goal. I look at NaNo as a big experiment to test different writing, outlining and time management techniques to determine which ones work for me. Those I keep for further use, the others I discard.

This is how I discovered that if I want to put my butt in the chair and type until my fingers bleed putting that first draft on paper, I need to do all my research and planning beforehand. I need to have a very good idea of what my story is and where it’s going or I get stuck and discouraged.

I didn’t outline any of my failed novel attempts, but for last year’s NaNo, I decided to change things up and wrote a 10 page outline of the whole project. It resulted in a finished draft. Lesson learned. Now I take the time to do extensive outlines on everything I write. This year I’m experimenting with chapter by chapter outlining.

5. Be part of a wonderful writing community.

Last year, over 600,000 people participated in the NaNo challenge. There is a lot to be said about being part of such a large community. Writing is a solitary act, but knowing that thousands of people around the globe are writing their own novels with you makes it considerably less so.

Plus the forums are full of useful resources for writers. There are always people happy to help you out if you are stuck, need help with your plot or character development, or just need some cheering up (or a kick in the butt to make you get off the internet and keep on writing). Browse the site, add some writing buddies, make friends, do some word sprints, and enjoy this special brand of November madness.

2013-Winner-Facebook-Cover

And to conclude this blog post, I wanted to point out that when you wrote your 50k words and won NaNoWriMo, you are still not done. Your novel is probably not finished. So stick with it. Make the commitment to continue writing through December (and January, if necessary) until you can finally put those two wonderful words at the bottom of the page: THE END. It’s a wonderful feeling, I tell you. Makes you forget all the blood and tears and frustration that went into writing that first (and bloody awful) draft. And if this feeling makes you want to do it all over again with a new story, then congratulations, you are a writer!