The Outline is more a suggestion than a set of rules.

My second novel The Choices we make, is three chapters away from being done, at least in its first draft form, so now I can speak with the experience of having completed two full novels. And I’m saying to you that outlines are not set in stone. They are just a suggestion, a few road markers on the way from the beginning to the end of your story. Or, like Captain Barbossa would say:

The Pirates of the Caribbean are property of Walt Disney.

 Now the pantsers in the audience will probably yell at me, “I told you so!” while the plotters will grumble, so let me explain what I mean by that. I am a plotter. I find out the hard way that I simple cannot finish a story without having written down at least some kind of outline beforehand. All the novels I tried to “pants” lay abandoned somewhere in the 1/3 to 1/2 of the story, because I either wrote myself into a corner, or had no idea where my story was going. So I outline everything, from short stories, to novels. And with Choices, I went even further and did an in-depth chapter by chapter outline.

 

But I have noticed something interesting while I was plodding through my first draft. While I followed that outline pretty closely in the beginning of the book, I started deviating even before the end of Part 1, I only glanced at it during Part 2, and threw it out of the window completely in Part 3 because my book had very little to do with the original story idea by that point.

 

If it had only happened with Choices, I would have called it a fluke and found another topic for a blog post, but when I looked back at EVERYTHING I wrote in the past year, I noticed a trend. It seems that I always throw my map away after the first leg of the journey and set off running happily towards the end of the story.

 

I don’t think it’s a bad thing (hence the title of this blog post), because when the time comes to deviate from the outline, I have spent some time with my characters already and I know how they will react and act, so I’m more comfortable with taking the back sit and letting them lead the story. But if I ever feel stuck or lost, I still have that map with the nearest road marker circled in red, so that I know where to stir my unruly crew towards.

 

Some of you might say that doing an extensive outline before sitting down to write the story seems like a waste of time if I throw two thirds of it away in the process. I disagree. By doing this outline, I already “write” this story once from the beginning to the end, and I can tell which parts don’t exactly work and need tweaking. So when I sit down and write my first draft, I usually manage to find a better way to tell that story: a better plot twist, a new and exciting way for my hero to get out of a dangerous situation, a more satisfying ending. This in turn makes the editing phase a lot less painful.

 

So what’s the conclusion of all this? I will still write extensive outlines for my projects, but I will never feel bad about deviated from them. In fact, if I manage to write a whole story that follows the outline to the letter, I will be extremely worried about its quality and probably spend longer on the editing stage.

 

And what about you guys? Are you a plotter or a pantser? How detailed are your outlines and how closely do you stick to them when you write your first draft?

NaNoWriMo – things I’ve learned after week one.

We have officially survived the first week of NaNoWrimo and (hopefully) even managed to put some words on paper! This is a big first step and if you are still hanging on (and still writing), a small celebration is definitely in order. This is the first important milestone in our NaNo journey.

For me, this NaNoWriMo is not really about discovering whether I can write 50k words in a month. I know I can, because I have already done that last year.

NaNo 2013 was all about  nervous excitement at the challenge laced with a lot of doubts and “oh my god, what was I thinking when I decided to do that, and 1667 words per day is impossible!” moments. NaNo 2014 is more about refining my writing process and discovering what methods allow me to be more efficient when writing my first draft. So, this year I try to pay attention not only to what I write, but also how I write it, and note things that help me write faster and those that hinder me.

So here are a few conclusions I came up with after week one.

1. Detailed outlines are a lifesaver.

During NaNo 2013, I had a general outline of my novel, arbitrarily separated into 3 parts. I had only put down some major points and decided to fill out the blanks as I went. As a result, my first draft contained a lot of backstory, side stories, and meaningless wanderings. I never got stuck per se, but there were days when I meandered through the story with no clear idea how to get to the next big plot point on my list.

Original by nord_modular on Flickr

I can tell you that editing that first draft is an absolute nightmare. I have only managed to wade through Part 1 and started on Part 2, and I have rewritten 90% of the draft.

This year, I spent the whole month of October writing several outlines for my NaNo 2014 project. I had a general plot outline, I had my characters bios and backstories and I had a chapter by chapter outline. Yup, I have written a 15k words, very detailed outline of my whole book.

The result is rather impressive – my WIP is has broken the 20k milestone today, and I haven’t been stuck even once so far. I also find it easier to get into the writing mood each day when I know exactly what scenes I will have to write.

2. Practice might not make everything perfect, but it certainly makes things better.

When I foolishly decided to participate in NaNo 2013, I had no clue what I was getting myself into. I had never tried to write consistently for any prolonged period of time. So of course I struggled! Some days coming up with that daily 1667 word goal seemed almost impossible. The most I could manage in one sitting was between 500-600 words, after which my brain would go into meltdown and need a few hours to recuperate.

I have been writing every day for the past year and building up my “literary” muscles, so to speak. So now my brain can produce 1000-1400 words in one session before the critical meltdown, which makes meeting the daily goal suddenly so much easier.

Plus whenever I feel like slaking off, this annoying little voice in my head starts nagging at me, “You managed to meet your word count last year, even if you had to struggle for it. You can do better than that this year!” Maybe I should try to lock her in the basement along with my inner editor next time?

And I saw another aspect of my writing in which practice really makes a difference. Not only do I write faster now, but I also write cleaner. I have a clearer idea of what I want to put on the page, and I manage to come up with the words I need much quicker than a year ago. So hopefully, this will make the editing process much less painful later on.

3. Planning ahead is essential.

NaNo 2013 was a success for my writing life, but a bit of a disaster in my everyday life. I was so absorbed in the writing process, that I didn’t have time for anything else. Between my day job and NaNo, the month of November 2013 went by in a blur. I think my family had started to forget how I looked like by the end of it, because I would come home from work, grunt an unintelligible greeting, and disappear behind my monitor, dead to the world.

This year, not only do I have a lot more responsibilities at work, which require more of my time and attention, but I also have to update this blog, providing new interesting content every week, and I have a novel to write.

So I have to plan ahead, use every free minute of my time to keep up with everything. I have succeeded so far, and I’m not even too frazzled yet. But it’s only been a week, so we will see if I’m still as organized and optimistic by the time Thanksgiving comes knocking at my door.

Conclusion:

One week down, three more to go. Keep on writing, wrimos and remember that it doesn’t matter if you are ahead on our word count, just on the money, or desperately behind. You are here, you are making an effort to put words on the page and to create something beautiful out of nothing. That in itself is already an accomplishment!

NaNoWriMo – lock your inner editor in the basement.

Well, NaNoWriMo 2014 has now officially started. How did everyone do during their first full weekend of furious writing? Did the words flow out of your head and into the blank page or computer screen? Did you write until you felt like your head was on fire, your brain had turned to mush, and your fingers were bleeding? Or perhaps you stared at that blank page and felt overwhelmed by all the whiteness?

No matter what you have achieved this weekend, I’m sure you have realized something very important. Something that all the seasoned writers know, but that comes as an unpleasant surprise for all of us who decide to put our stories on paper for the first time.  I am speaking about the huge difference between the story that exists in our head and the result that gets put on paper.

I remember the first time I came face to face with this dichotomy. I had this important scene to write, and in my mind it was witty, well-written, full of good dialogue and tension – in other words, absolutely perfect. What I vomited on the page was absolute and utter crap… I was heartbroken. I was horrified. I was ready to press the delete button on the whole sorry excuse for a novel and go back to my day job.

But I did no such thing, and do you know why? Because first drafts are supposed to be bad. They are supposed to be full of typos, and ramblings, purple prose, and bad dialogue. In other words, like Ernest Hemingway said:

Yes, you heard it. Even the great masters of the written word have to struggle through a horrible first draft before they create a masterpiece. The trick to accomplishing that is to accept that your first draft will suck. In other words, you need to bind, gag, and lock your inner editor in the basement for the whole month of November (and maybe December and January as well) until your first draft is done.

That means every time you hear that little voice in the back of your mind telling you that your description sucks, that your dialogue is weak, that your plot is boring… tune it out, crank the music up, put earplugs in your ears, or shout, “La-la-la, can’t hear you!!!!” And keep writing.

Powering through your doubts and writer’s block is the only way you will get a finished draft to show for your efforts. It doesn’t matter if your first 3-4 chapters are a polished work of art if your story isn’t finished. As Kristen Lamb says, the world rewards finishers, not perfectionists.

And if your inner editor is having a mental breakdown and sobbing uncontrollably in a dark corner of that basement, you can always tell her that she will have free reign over your work once the editing process starts. She will be free to take a chainsaw to your first draft and dismantle it at her heart’s desire. If you hate the scene you just wrote, keep a notebook handy and jot down the chapter and page number and a few words about what doesn’t work for you. Once you are done with your draft, you can use those notes during the editing process.

But for now, shhh, don’t listen to her, just write. Put one word on the page after another, no matter how bad does words seem. You can always edit a bad page, but you can’t edit a blank page.

So go on, wrimos, write your novels!

NaNoWriMo Prep – 10 useful links to stay motivated during the month of November.

NaNoWriMo is just around the corner, and I’m sure that most of you are excited about diving right in and getting a start on your novel. So I’m not going to bore you with another long post about how to prepare for NaNo, or what I learned from my past NaNo experience, blah, blah, blah.

The next month will be a wonderful, but also tiring experience for everyone trying to put 50k words on page in 30 days. There will be days when words fly faster than you can write them and you get 2k down in an hour with no visible effort. Then there would be days when writing even 100 words feels like a gargantuan effort, and every one of them feels like it was written with your own blood. There will be days when you will be motivated and days when you will feel like giving up.

So I thought about what had helped me stick through the worst moments of self-doubt and discouragement and motivated me to keep going last year. The answer was simple: encouragement from fellow writers.

That’s why I created a list of blog posts about NaNoWriMo that I found useful, funny and motivating. I would encourage you to bookmark them and reread them any time you feel like you need a pep talk during the cold month of November. I know I will be revisiting them frequently.

1. First, a little bit of shameless self-promotion. Last year I had written a post about what helped me stick to my goals during NaNo. I would recommend reading it around week two, when the dreaded burnout starts – NaNoWriMo – 15 days to go.

2. If you need a good laugh and also a boot in the butt advice to keep going, check out this older post by Chuck Wendig – 25 Things you should know about NaNoWriMo. I love Chuck for his humor, but be advised that the language he uses is definitely not PG-13.

3. Now, if you need to go deeper into the nuts and bolts of writing your novel, here is a very good guest post by Piper Bayard on Kristen Lamb’s blog about backstory and how much the writer has to disclose and what to keep away from the reader – Backstory: The More You Know, The Less I have to.

4. And speaking of writing that first draft, here is an excellent post by Kristen Lamb herself about turning off your inner editor during NaNo – Write Fast and Furious! Learning to Outrun “The ?Spock Brain.“

5. If you write your story from the point of view (POV) of several characters, here is a wonderful post by Jami Gold about which POVs we should use when and how to switch between them without confusing your reader – Ask Jami: Whose Point of View Should We Use?

6. I try to stick to the advice of “show, not tell,” when I write. So this post by Amy McElroy about integrating all the five senses in our writing was very useful – Sensory Description: Deep Beyond the Five Senses We Learned in Preschool.

7. We all love our protagonists (otherwise why would we want to write about them in the first place?), but we need to be careful not to make them too much like ourselves. So here is a good post by Anne R Allen about that – 5 Protagonists Riders Hate: Why Writers Shouldn’t Identify too Closely with a Main Character.

8. And let’s not forget to stay healthy during November madness. So here is a nice infographic article by YogaDork – “Pose before Prose” Yoga for Writers.

9. Since writing 50k words takes a lot of your free time, cleaning, cooking and having a social life will be next to impossible. So here is a nice link for Easy Recipes for NaNoWriMo on Pinterest.

1. Last but not least, is the NaNoWriMo site. It’s full of useful resources, how-to guides, pep talks and most of all, all the other wonderful wrimos attempting this challenge with you. Browse, read, visit the forums, find writing buddies, but most importantly, communicate with others. They will be your best cheerleaders, your most devoted fans and a shoulder to cry on when you feel discouraged.

Here you go, I hope this list will be useful to you guys! Feel free to share more useful links in the comments. I’m always looking for good posts to motivate me and help me improve my craft.

NaNoWriMo Prep – Know your Story or the Importance of Outlines.

With NaNoWriMo fast approaching, I wanted to share some of the advice I took out of my own experience with NaNoWriMo 2013. I learned a lot about writing in general and my own writing process last year, so hopefully this will also be useful to somebody else.

Last week I had talked about why I think everyone should do NaNo at least once. This week, I want to talk about outlines.

I know  people who approach who don’t plan or outline their stories; they just start writing on November 1st and see where the story will take them. They enjoy the process of discovering the story, of being surprised by the unexpected plot twists. In writer-speak, they are called pantsers, because they write “from the seat of their pants”. I know a lot of wrimos for whom this approach works wonders, and who can’t imaging writing their first draft any other way. I learned the hard way that I’m not part of that club.

I am a plotter. I need to be familiar with my story and my characters before I start writing my first draft or I will crash and burn somewhere around the 1/3 mark. So for all of the first time wrimos who had tried to pants it before and didn’t quite succeed, my answer would be – start outlining.

It doesn’t have to be an extensive outline. I know some writers who are happy with just knowing the ending and the general direction in which their story is going before starting to write the first draft.  Others don’t outline the plot, but do extensive profiles on all their characters, then let those character’s reactions decide which way the story is going.

My experience with outlining:

I have learned that if I want to win NaNo (and finish my first draft), I absolutely need to spend some time exploring my story beforehand.

I need detailed background stories and profiles on my main characters, including the so important antagonist. I tell you, in order to get this sucker right, you have to know his / her life story better than your own.

I also need to know the ending. I might only have a vague idea of how my story will progress and which road it will take to reach that ending, but if I don’t know how my story ends, I cannot write. Tried, failed, learned from the experience.

Wriring Of Broken Things for NaNo 2013 had been my first try at outlining beforehand. I had character bios and a brief outline of what I wanted to happen each of the three parts of the book. Oh, and the last scene of course. It worked like a charm – I wrote like my fingers were on fire, and there hadn’t been a single day where I felt stuck. Of course, a lot of the scenes changed and the story evolved in the process, and I took a few detours and alternative routes, but I never felt utterly lost, because I knew my final destination.

This year, I am picking it up a notch. I am applying the process I developed for writing my short stories to my NaNo preparation. When I brainstorm a short story, I write a detailed scene by scene outline. They I start writing the story, trying to follow that outline. Most of the time, it changes drastically during the first draft, but that process allows me to immerse myself in the story and explore several possible courses of action.

I took this process and adapted it to this year’s NaNo novel, but instead of doing a scene by scene outline, I did a chapter by chapter one. So now I have detailed character bios, a general outline of the entire plot, and a detailed outline of what will happen in each chapter. Now I am ready to finally start writing! Is it November 1st yet?

I want to finish this post with a word of caution though. Don’t consider your outline as something set in stone. It’s more of a roadmap with one route that would take you from point A (the beginning) to point B (the end), but there are a lot of roads and alternative routes. Feel free to take a different turn, stop in a small town, or to take the scenic route instead of the highway. Just keep your destination in mind and make sure you are progressing towards it no matter what road you take.

So how are you guys preparing for NaNo? Plotters or pantsers? How detailed are your outlines? I want to hear from you!

The More you write, the better you get.

While I was looking for a novel to write during NaNoWriMo 2014, I did a little archeological foray into my older, unfinished stories. Not only did I find a project to work on, but I also learned something new about my writing.

I read a lot of writing blogs and I talk to a lot of writers on Twitter and Facebook. All of them say that the more you write, the better you get. Up until now, I was skeptical about that, because I wasn’t seeing progress in my own writing. Other people, notably my beta readers, have told me that they noticed an improvement, but I just couldn’t see it. Maybe because I was too close to my work to notice the difference: I usually let my first drafts rest for only a week or two before I dive into edits.

Well, I understand the truth of this saying now. Choices is a story I had last worked on back in 2012. I got stuck about 25k words into the story and abandoned it. Last Monday, I decided to read through what I already had to see if anything could be salvaged. Well, two hours later, I was forced to admit that I was better off just scrapping the whole thing and just starting from scratch.

Finish what you start!

But that reread wasn’t all negative. It made me realize how much I had grown as a writer since 2012 when I had tried (and failed) to first write that story.

Back in 2012, I had no idea what I was doing, or what writing a novel required. I had no idea about story structure, tension and plot or character development. Most importantly, I had only a very vague grasp on what my writing process was. The result was a barely reanimated corpse of a novel.

I had no outline. I had no idea where my plot was going or if I even had a plot at all. I had a backstory only on my two main protagonists; everyone else, even the antagonist, was just vague shadows in the background. No wonder I got stuck and abandoned that story!

I have learned since then that I can’t write without a detailed outline, a good backstory on most of my characters, and a lot of worldbuilding. Oh, and I absolutely need a clear idea of the ending. So that’s what I will be working on during October, and once I’m done, I have full confidence that I can write this story to the end without problem.

Reading through my failed first attempt, I also noticed just how many rookie mistakes I had made. In fact, I might keep that draft as a perfect illustration on how NOT to write a story. I started with a small prologue that didn’t bring anything to the story and would have been better situated at the end of Chapter 1 or cut out of the story altogether. Most of my worldbuilding and character backstory were huge info-dumps that almost managed to put me to sleep during my re-read. All the dialogues had some truly “creative” dialogue tags when a simple “he / she said” would have done just fine. And, most importantly, I told about my characters’ reactions instead of showing them.

Back when I wrote those words, I didn’t know any better, but now, one finished novel and several short stories later, the flaws of that draft stood out like a sore thumb.

For me, it was an eye-opening but also reassuring experience: I did become a better writer in the past two years, even if I hadn’t noticed it. And I did that by sticking with my stories, not being afraid to write crappy first drafts that I would later edit within an inch of their lives. And I was not afraid to start all over again with a brand new story each time the old one was done. I also read wildly about writing, editing, and publishing.

I think as writers, we need that sort of reassurance from time to time, especially if we are querying our first novel and getting only silence or rejections back. So my advice would be – do not lose hope. When you feel like giving up, open that dusty box where you banished all of your older failures and read through one of them. See how much you have grown since then and feel proud of what you have accomplished. Then put your pen to paper or your fingers on the keyboard and start working on a new story!

One day I might be confident enough in my skill that I might even unearth some of my unfinished stories from 2004-2005, though I rather dread the horrors that might be lurking between those pages.

Know your story or the importance of world-building.

Image by Van Assche -Embarcadero

There are many elements to a good book. I have already talked about the importance of a good antagonist and fleshed-out secondary characters, but none of this will do any good if you haven’t bothered with the world-building.

As authors, we are the absolute gods of the worlds we create, and as such, we NEED to know how those worlds function. We need to know the physics, the magic and religious system, the races and customs of the people we populate our worlds with. Because if your knowledge of this world is patchy, trust me, the reader will know.

Of course, that doesn’t mean that you need to prepare long ancestry lists for all of your characters. The reader doesn’t need to know about your protagonist’s great grand-aunt Bessie, unless she is relevant to the story somehow. But you, as an author, need to know where your characters come from and what they believe in. Your character’s background will help you determine how they will react in different situations. It will also prevent you from making a character act extremely out of character. Trust me, the readers will notice that as well.

If magic exists in your world, you need to know how it works better than the best Magisters in the best Magic Academy. You don’t have to reveal all the rules, you can even mislead your characters (and the reader) about some of them, but you need to know them.

Same goes for different gods and supernatural beings. You need to know their strengths and weaknesses. You need to know how they interact with each other and the humans that inhabit your world (if you have any).

Image courtesy http://www.tuku.cn

That’s why I consider the world-building to be the most time-consuming process when brainstorming a new story. Creating a character’s backstory is a walk in the park compared to everything you need to take in to account when you start describing the world he or she inhabits. It becomes even more of a headache if your story requires your characters to travel long distances and visit different cultures. Because you can’t just say, “Hey, they are going to cross the Elf Forest. Elves like trees and are extremely arrogant,” and stop at that. Well, you could, but your character’s visit to this Elf Forrest would be extremely shallow and boring. And the readers will notice it.

Even though it’s a time-consuming and demanding job, I really love world-building. I feel like a child in front of an unopened Christmas present – can’t wait to peel off the layers of wrapping and discover what lays underneath. I think it’s the most exciting part of the whole process – discovering a brand new world that nobody has ever visited before and setting its boundaries.

Before I wrap this post up and let you all return to your reading or writing, let me leave you with a word of caution though. NEVER break the rules you have created, even if those rules put your characters in a seemingly impossible situation. Readers will know, if you introduce a Deus Ex Machina to save your protagonist at the last possible moment, and they will not like it. If they are anything like me, they will feel cheated and walk away from your book frustrated with the story.

The more you write, the more ideas you get.

 

I remember reading the excellent book On Writing by Stephen King sometimes in 2009, when I had just moved state-side with my husband. And I remember feeling so pumped up and excited to start writing something, because the great Stephen King said that ANYONE could write a story, they only had to start.

So I sat down with my pen and paper, already thinking about printed books and glory and fame… and I hit a wall. I had nothing to write about. My mind was blank. Not a single interesting story idea to be found anywhere. But I wanted to write! So I grabbed the first half-baked story that had the misfortune to wander into the spotlight and tried to run with it. The run quickly became a walk, then a crawl, and finally it died in horrible convulsions. That was my first effort at becoming a writer and, as you can see, it was not a very successful one.

Then in October 2013 a good friend of mine told me, “Why don’t you try doing NaNoWriMo with me?” I looked at the site, I read the rules, and I decided why the heck not? But the last disastrous foray into the land of writing was still fresh in my mind, so I was rather freaked out to just start on November 1 and write 50k in 30 days. And I still had NO IDEA what I would be writing about! Needless to say that the closer that first of November loomed, the more stressed I got.

And then a miracle happened. Around October 15, one a character literally barged into my dream, knocking the door down with his military boots, and said, “Ok, you will write this, and you will write it now.” I woke up with a half-formed idea, three fully-formed characters and an almost feverish need to put pen to paper and get story out, because it was burning me from the inside. I spent the last 15 days before the start of NaNo frantically outlining the story, I hit the month of November running, and I didn’t stop running until I finished the first draft around January 15.

During this exciting journey, I learned a lot about writing in general, as well as what worked and didn’t for me (outlines are a must – I can’t pants it for the life of me). But something even more extraordinary happened in the process as well – all of a sudden, my mind was bombarded with stories clamoring to be told. I was writing one, and at least three more were knocking more or less politely at the door, waiting for their turn. Where I had suffered from lack of things to write about back in 2009, I was overwhelmed with possible ideas now. It was like the trickle had transformed into a downpour!

I now have a list of stories I want to write, and it’s getting longer every month. I must admit that it’s exciting. I am in the middle of the first rewrite / edit of my NaNo novel, and I have a finished short story waiting for a second rewrite, but I am also writing a brand new story that might turn out to be a novella. And I have enough plots for at least two more short stories set in the same word as another short story I just started sending out to magazines. Not to mention, another half-written novel I really want to go back to, because I have finally figured out the outline for it.

I guess it is true what everybody says – the more you write, the more you discover stuff to write about. It’s hard to start the ball rolling, but once it’s on the move, it gathers all sorts of interesting things along the way.

Character-driven narrative

I admit that I am not a seasoned writer. Heck I started writing seriously only since mid-October, and all I have to show is one finished first draft of a novel and one short story. But I have already started planning my next novel, and I have ideas for several other short stories. So I guess the person who encouraged me to start writing was right – the more you write, the more ideas come to you.

But the point of today’s post is not about my writing experience or lack of thereof, well not entirely. I have read somewhere that writing is the never-ending path of self-discovery, and I agree with that statement. Even with my very limited experience, I have already discovered one fundamental thing about my writing – it is character-driven first and foremost.

As far as I can see all my stories, even the gazillion unfinished drafts, started with one or two characters. Usually, I see them in very vivid details, sometimes even with background stories, and then I have to try and build a story around them. One of my good friends once told me, “Think about where you want your characters to get, both physically and emotionally, and then build a story to accomplish that.” That’s the best piece of advice I have ever been given.

For example, Of Broken Things was born when one of the characters literally barged into my sleep, sat down and said “Listen, you are going to write this…” The initial idea was very simple: what would happen, if a super-soldier fell in love? And if the person he cared the most about was taken from him?

So in the beginning I only had one character with his set of problems and priorities. But then I had to think about what kind of woman would a man like that fall for? She would need to be truly exceptional… And that’s how Cassie came into the picture and took the spotlight. Then I started writing my outline, and all of a sudden private investigator Aiden Stappleton came out of nowhere and highjacked the whole of Act 1. But even with all that, ultimately the story was still about the super-soldier and the consequences of his actions.

Working on Of Broken Things showed me that I like writing about characters. I like putting them in difficult situation and watching them change in order to overcome obstacles. Story and setting are important, but only as a catalyst for character change.

This realization made me take a good look at the books, movies and TV shows I like. Just as I thought, they are all character-driven. The author could have created the most beautiful world with the most complex society, thought about how the magic works and what Gods his people worship, but if the characters walking this world fail to interest me, I will probably put the book down before I reach the end. Setting and world building doesn’t interest me if they don’t influence the protagonist and make him or her evolve in some way.

I think discovering this particularity about my writing is a big help against writer’s block, because now when I feel stuck in my writing, I know that it’s probably because I lost sight of my character’s development somewhere along the way and made them do something very out of character.